The 31st Kolkata International Film Festival (KIFF) — launched recently — is drawing attention not only for its showcase of international cinema, but also for what’s happening behind the scenes in Bengali film. Festival goers are getting a rare opportunity to watch the debut of a film written and directed by a serving IRS officer, Shaunak Sur, titled Kathakar Ki Diary: The Story of Ordinary Lives. The film’s screening has stirred interest, offering a fresh perspective in a festival known for eclectic, boundary-pushing content.
Hindustan Times
At the same time, the local film community is witnessing heated debate: a newly proposed formula by a government-backed panel would allocate release slots for Bengali films based on production house track records and investment size — a move many indie filmmakers strongly oppose. Critics argue this undermines artistic merit and threatens to disadvantage smaller, content-driven films.
The Times of India
The turbulence reflects a larger tension within the Bengali film industry: balancing commercial interests, artistic integrity, and fair opportunity for newcomers. As KIFF continues to spotlight diverse voices, many filmmakers and festival-goers are watching closely — hoping for a future where bold content and fair access go hand in hand.